![]() |
|||||||||||||||||||||||
|
|||||||||||||||||||||||
| Dolls By Marta Morales Naranjo: Portraits of Purépecha Life (page 2) September 6 - November 12, 2007 |
|||||||||||||||||||||||
|
With keen observation of the region’s Purépecha men and women, Marta has created dolls that accurately replicate traditional indigenous clothing: meticulously embroidered blouses, pleated wrap-around skirts, hand-woven belts, festive aprons and rebozos (shawls). Each figure is a testament to Marta’s artistic skill and represents the traditions of her homeland captured in minute detail. Starting with a wire framework, Marta forms a body of cloth stuffed with cotton, then adds detailed facial features, braided and beribboned hair, beaded jewelry, layers of garments, and miniaturized accouterments that she creates with a paste of bread crumbs. Although Marta works with the most humble of materials, she has earned the distinction of “Great Master of Mexican Folk Art,” so dubbed by Fomento Cultural Banamex during a two year search to identify the best folk artisans across
Now in her 80s, Marta continues her love of crafting dolls that pay homage to the distinctive character and lifeways of |
|||||||||||||||||||||||
| Above:Marigold Seller. ©Marta Morales Naranjo. Below: Marta Morales Naranjo | |||||||||||||||||||||||
![]() |
|||||||||||||||||||||||
|
Michoacán. Already the modern era has wrought changes in some of the cultural traditions she has documented over time dances that are barely remembered and garments and styles of dress that have disappeared. Yet, her faithfulness to the authentic representation of her culture will endure in her dolls and bear witness to times gone by. This is the lasting legacy of Marta Morales Naranjo.
|
|||||||||||||||||||||||
| Last Update: 9-6-07. Contact Webmaster | |||||||||||||||||||||||
| Return to Page 1 Return to Art Exhibits at Tohono Chul Park | |||||||||||||||||||||||